{"id":7093,"date":"2024-04-06T16:48:52","date_gmt":"2024-04-06T16:48:52","guid":{"rendered":"https:\/\/www.visionquest.it\/?p=7093"},"modified":"2024-10-19T13:25:17","modified_gmt":"2024-10-19T13:25:17","slug":"benjamin-juhel-le-murmure-du-crepuscule","status":"publish","type":"post","link":"https:\/\/www.visionquest.it\/index.php\/2024\/04\/06\/benjamin-juhel-le-murmure-du-crepuscule\/?lang=en","title":{"rendered":"Benjamin Juhel LE MURMURE DU CR\u00c9PUSCULE"},"content":{"rendered":"

VisionQuesT 4rosso is pleased to present Benjamin Juhel’s exhibition LE MURMURE DU CR\u00c9PUSCULE in collaboration with Valeria Bella Gallery of Milan. Juhel stages landscapes and characters within the great freedom of composition that photography gives to choreography and space.<\/span><\/p>\n

<\/a>The works of LE MURMURE DU CR\u00c9PUSCULE tell of a peaceful wandering in that transition time when, as night falls, streets get darker and interiors lit up. Shot in California, these works maintain Juhel’s tprecise distance and form of his cinematic and lively gaze on the urban territory.<\/span><\/p>\n

Man never appears, yet his presence is felt in each of the images. Windows lit up, cars are parked, traffic lights are flashing,and signs are illuminated; tangible signs of the passage of men and women that we can only imagine.<\/span><\/p>\n

The approach to twilight and a singular vision of colour, of chiaroscuro and of what light as a glow allows us to perceive, gives the the observer plenty of time to watch.<\/span><\/p>\n

The plasticity of the images, that resemble drawings and are very pictorial, the choice of printing on Japanese carbon fiber paper, continue to support Benjamin Juhel’s plastic approach to photography, who seems increasingly inclined to create imaginative and poetic objects\/images distant from reality.<\/span><\/span><\/p>\n

Each image suggests a moment of expectation<\/span> and opens a narrative field for our imagination. Juhel leaves the observer all the freedom to imagine the previous and subsequent sequence of each work on display. He gives only a few traces, so that everyone can think freely about the development of the scene, overwhelmingly pervded by solitude, absence and fragility.<\/span><\/span><\/p>\n

Tecnical Information<\/strong> <\/span><\/p>\n

Fine art pigment prints on Japanese paper.<\/span><\/p>\n

Different dimensions in an edition of 9<\/span><\/p>\n