\u00a0<\/p><\/div>\n<\/div><\/div>
Curator:<\/strong> Clelia Belgrado Vasco and Alessandra will attend the opening<\/strong>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div> For Vasco Ascolini<\/strong> fragments of figures hit by light and\u00a0 impenetrable darkness. The purest whites and the deepest blacks from which details emerge, capable of signifying everything and offer a reading dictated by the emotions aroused by the spectacle represented Ginni Gibboni<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div> Vasco Ascolini<\/strong><\/p>\n Nasce a Reggio Emilia nel 1937, dal \u201973 al \u201990 \u00e8 stato il fotografo ufficiale del Teatro Municipale \u201cRomolo Valli\u201d di Reggio Emilia: durante questa esperienza ha intrapreso un confronto tra il linguaggio fotografico e quello teatrale, concentrandosi sul movimento dei corpi, sulla danza e la mimica. Dalla met\u00e0 degli anni \u201980 si dedica all\u2019architettura e alla statuaria storica: sintesi, equilibrio positivo, tagli inattesi e, soprattutto, neri profondi e assoluti, sono le cifre distintive di A. che ha operato, su incarico del Ministero della Cultura francese (Versailles, Tuileries, Parc Royal, St. Cloud, Museo del Louvre, Museo Rodin). Fra le pubblicazioni: Il segreto della citt\u00e0<\/em>, a cura di A. Palazzi, (2003, con testi inediti di J.Le Goff e P.Sorlin, Mantova). Fra le mostre: Istituti Italiano di Cultura, a cura di A. Gio\u00e8 (personale, 2004, Il Cairo); D\u2019apres l\u2019Antique (<\/em>Louvre, Parigi, 2000), La Vertigine dell'Ombra <\/em>2007, Palazzo Magnai Reggio Emilia, Ed. SKIRA 2007<\/p>\n Alessandra Vinotto<\/strong><\/p>\n Esordisce giovanissima nei primi anni novanta come fotografa di teatro, affermandosi in seguito come ritrattista e reporter di viaggi.\u00a0 Le sue foto sono state pubblicate da numerosi quotidiani e riviste italiani ed esteri, fra i quali Vogue, Marie Claire, Herald Tribune, opera Actual, Shots, Carnet, Amica, Gulliver, Ville e Giardini, Musica, Amadeus.\u00a0 Le sue immagini sono state utilizzate per illustrare libri e cataloghi di scrittori, poeti e artisti.\u00a0 Ha all\u2019attivo sedici mostre personali e trentadue mostre collettive nazionali ed internazionali.\u00a0 7th May –\u00a06th June 2010\u00a0 Curator: Clelia BelgradoOpening:\u00a0May\u00a0 6th 2010 from 6 pm to 9 pmDuration:May 7th to June 6th 2010Location: VISIONQUEST gallery –\u00a0Piazza Invrea 4<\/p>\n","protected":false},"author":1,"featured_media":1471,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/posts\/1489"}],"collection":[{"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/comments?post=1489"}],"version-history":[{"count":12,"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/posts\/1489\/revisions"}],"predecessor-version":[{"id":3643,"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/posts\/1489\/revisions\/3643"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/media\/1471"}],"wp:attachment":[{"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/media?parent=1489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/categories?post=1489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.visionquest.it\/index.php\/wp-json\/wp\/v2\/tags?post=1489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Opening:<\/strong>\u00a0May\u00a0 6th 2010 from 6 pm to 9 pm
Duration:<\/strong>May 7th to June 6th 2010
Location: <\/strong>VISIONQUEST gallery -\u00a0Piazza Invrea 4 r, 16123 Genova, Italy
Tel.:\u00a0<\/strong> +39 339 7534993 +39 010 2468771
Opening times:<\/strong>\u00a0Wednesday to Saturday\u00a0 3.30 pm to 7.30 pm or by appointment\u00a0
Website:<\/strong>\u00a0\u00a0www.visionquest.it<\/a>
Email information:<\/strong> info@visionquest.it<\/a><\/p>\nPress Release<\/h3>\n
For Alessandra Vinotto<\/strong> the black and the white; of all the\u00a0 colours they\u00a0 are, \"the only ones able to restore the truth of the characters moving on stage: the details of the glance, the notes of the spirit, the modulations of thought, the subtle animal\u00a0 intricacies.\"
Both photographers, in this exhibition conceived by Clelia Belgrado for VisionQuest, show us traces of theatrical life caught on the stage and made visible through their cameras.
\"The responsibility to create balance, to stir emotions and raise questions that are also rational\", these are the feeling\u00a0 that move Vasco Ascolini<\/strong> when in\u00a0 the darkroom he\u00a0 prepares to create images that will place\u00a0 the viewer in a position to \"see\".
Details torn from the darkness characterise him, and have the power to show more than what an compete shape or form would, \"details of bodies or statues ... of architectures, each a presence that does not exist except in my inner world when I am still in the dark room;\u00a0 I manipulate fragments of negatives to create other fragments on the silver gelatine print. When, after days or weeks and months from having completed the print, I again look at it,\u00a0 I realise I have almost forgotten the journey to get to the final result. What amazes me and leaves me to\u00a0 wonder, is how large is the black that conceals silence,\u00a0 the infinite,\u00a0 hope and fear. The colour\u00a0 black\u00a0 bearer of anxiety but also of the sublime
The reality which takes shape through his lens and in the darkroom becomes such, for the person seeing his\u00a0 photographs, only after having seeing it with his or her own eyes and often contains the \"truth\u201d giving\u00a0 back marble the texture of flesh. \u201cSixty percent of my images are\u00a0 built in the\u00a0 darkroom where, often but not always, the metamorphosis of the marble, stone and other minerals into \"flesh\" as the flesh of dancers and mimes become mineral, takes place. These metamorphosis start right from\u00a0 the choice of the film, exposure, shutter speed, chemicals, in the way I go around and deceive the \u201cgestures\u201d of the camera and\u00a0 where technique, in this case\u00a0 at the service of creativity, becomes essential \"
For Alessandra Vinotto,<\/strong> in\u00a0 this exhibition with photographs\u00a0 of the theatre where constant is the strong dreamlike dimension, photography is \"capturing those sudden appearances which I entrust to the eternal memory in the space of a frame.\u201d
Faced with an performer, backstage or on stage,\u00a0 with her camera, Alessandra Vinotto seeks that communication transpiring from\u00a0 gestures and intentions hidden beyond the visible.\u00a0\u00a0
Vasco Ascolini whom she met only two years ago, with his theatrical photographs discovered when she was young, has actually marked her professional path leading to the choices that would have taken her to \"perpetuate the passage that takes the actor to be a spectator of himself crystallising the moment corresponding to his change of status \"
Theatre lived as \u201cthe ephemeral and intangible place where what I do instinctually when\u00a0 photographing\u00a0 is shooting the next gesture, already announced but not yet occurred, that moment\u00a0 still\u00a0 lost in the inner maze of the actor. \"
She says of herself: I try to grasp the infinite shades of feeling, the plurality of gestures and meanings that each representation carries hidden from view of the distracted ones. \" But photographing\u00a0 the theatre is not enough for her:\u00a0 \u201cthe theatre has to be sniffed, devoured, metabolised, deeply lived\u201d,\u00a0 and this passion enables her to produce \"shots closer to symbolism than documentation, capable of showing the moments stolen from the movements of the soul.\"\u00a0<\/p>\nBiographies<\/h3>\n
Sin dall\u2019inizio della sua attivit\u00e0 di fotografa porta avanti un lavoro di ricerca personale sul linguaggio corporeo, tramite il ritratto, l\u2019autoritratto e le foto ricreate in studio con modelli e modelle.
Negli ultimi anni si \u00e8 avvicinata al mondo del videoclip e della video arte, esordendo come art director nel 2007 a fianco del regista Francesco Rotunno.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"